Maya Sypert
Praised for her outstanding artistry, “vocal beauty of high technical caliber,” “vocal flare and flamenco abandon,” and “gifted storytell[ing],” mezzo-soprano Maya Sypert has appeared on stages throughout the United States, Europe, Latin America, and China. Her engagements include concerts with renowned soprano Sumi Jo and the Hawai‘i Symphony Orchestra; Fauré Requiem (Morris Choral Society, New Jersey); Brahms Alto Rhapsody (Greeley Philharmonic Orchestra, Colorado); Beethoven Symphony No. 9 (GPO, HSO, and Bellingham Festival of Music); Verdi Requiem (Tuscia Operafestival, Italy); Mozart Requiem (Orquesta Sinfónico de Trujillo, Perú; Honolulu and Kona, Hawai‘i); Handel Messiah (Maui Chamber Orchestra); Falla El sombrero de tres picos (HSO); The Magic Flute (Second Lady) and Il Trovatore (Inez) with Hawai‘i Opera Theatre; Madama Butterfly (Suzuki) with Opera Ft. Collins; Carmen (Mercédès) at the Axelrod Performing Arts Center (NJ); and Schoenberg’s Pierrot Lunaire (Chamber Music Hawai‘i) in a production staged by Henry Akina. In 2018, she was the featured artist for the Art Song Preservation Society of New York’s summer festival at the Manhattan School of Music in a program of all Latin American art songs with her musical partner of more than 24 years, pianist José Meléndez. Last season she was presented in a livestream recital with pianist Jonathan Korth and created the role of Linda Morales in Hawaii Opera Theatre’s digital world premiere of Hometown to the World by Laura Kaminsky and Kimberly Reed.
Other highlights include Beethoven’s Symphony No. 9 (HSO, Bellingham Festival of Music); Falla’s El sombrero de tres picos (HSO); Mary in Der fliegende Holländer (HOT); Verdi’s Requiem (Tuscia Operafestival, Viterbo, Italy); Respighi’s Il tramonto and Simon Sargon’s Shemà (Chamber Music Hawai‘i); and Schoenberg’s Pierrot Lunaire (Chamber Music Hawai‘i), in a production staged by Henry Akina. Other international appearances include Festival Mozart y Beethoven, Festival Internacional Bach, and Festimúsica Internacional (Peru); Songs Across the Americas Festival (Bolivia); Bellingham Festival of Music; Bloomington Early Music Festival; Escuela de Artes Musicales, Universidad de Costa Rica; Auditorio Fabio Lozano (Bogotá, Colombia); and Teatro Municipal (Trujillo, Peru).
As a recitalist, she has performed regularly with José Meléndez for two decades in innovative programs frequently highlighting Latin American, Spanish, and other outstanding lesser-known works. She holds a Doctor of Music degree in Voice Performance and Literature with a minor in Music Education from Indiana University, a Master of Music degree in Voice Performance and Pedagogy from Westminster Choir College, and a Bachelor of Music degree with a minor in Italian Language and Literature from Binghamton University. She has studied with Mary Burgess, Laura Brooks Rice, Patricia Havranek, Virginia Zeani, and currently studies with Andrea DelGiudice. Her publications have appeared in Classical Singer, The Mentoring Connection, Philosophy of Music Education Review, and Choral Journal, and her book Guide to the Latin American Art Song Repertoire: An Annotated Catalog of Twentieth-Century Art Songs for Voice and Piano (Indiana University Press) was released in March 2010. In August 2007, she joined the distinguished faculty of the University of Hawai‘i at Mānoa, where she serves as Professor of Music with a world-class faculty.
